How can you tell that the Author is male?

 

 Madame Récamier
by François Gérard (1805)
Carnavalet Museum, Paris

When the messenger returned her mistress gave directions that if a gentleman called he was to be admitted at once, and sat down to await results.

Sentimentally she did not much care to see him—his delays had wearied her, but it was necessary; and with a sigh she arranged herself picturesquely in the chair; first this way, then that; next so that the light fell over her head. Next she flung herself on the couch in the cyma-recta curve which so became her, and with her arm over her brow looked towards the door. This, she decided, was the best position after all, and thus she remained till a man’s step was heard on the stairs. Whereupon Lucetta, forgetting her curve (for Nature was too strong for Art as yet), jumped up and ran and hid herself behind one of the window-curtains in a freak of timidity. In spite of the waning of passion the situation was an agitating one—she had not seen Henchard since his (supposed) temporary parting from her in Jersey.

She could hear the servant showing the visitor into the room, shutting the door upon him, and leaving as if to go and look for her mistress. Lucetta flung back the curtain with a nervous greeting. The man before her was not Henchard.

The perfidity.  The scheming powers of the women to trap and ensnare.  The poor helpless victim.